A look at Brooklyn-based psych-pop Oberhofer and Irish crooner James Vincent McMorrow
By Allison Baughman
Meet the new Boss, The Magnetic Fields, Andrew Bird, and Australian Motown covers vs. the real thing.
By Dolph Chaney
Our take on the best and worst of the big show. Read On! And let us know your thoughts.
By Kimberly Faulhaber
Since there won’t be a Leap Day on a Tuesday until the year 2028…
By Dolph Chaney
From roots to the sky, the new release landscape is wide on February 28th.
By Dolph Chaney
In the wake of inevitable Oscar disappointment, we look back at the biggest snubs of all time.
By Ben Gremillion
The current fan favorite is the Tsunami and the Cherry Blossom. Fans aren’t the ones voting though. Good luck with your choice!
By Rebecca Lenzini
It’s Oscar time, and we’ve got the best picture menu set for the party!
By Rebecca Lenzini
The melancholic and delicious rhythms of D.L.i.d and the strong and crisp vocals of Ed Sheeran.
By Allison Baughman
The striking Band Of Skulls, comparing Cheap Girls to Saints, a look at Blood, Sweat & Tears on the anniversary of their debut, and much
Candy, stadium seating and more candy at the annual Best Picture Showcase. Is one playing your area?
By Kimberly Faulhaber
Pina is a fascinating and moving 3D tribute to the late choreographer and dancer Pina Bausch.
Review by Rebecca Lenzini
A look back at the top five Best Picture Oscar winners of all time. Did your favorite make the list?
By Ben Gremillion
Heartless Bastards deserve love this Valentine’s Day. Really, so does all the Earth. Give the gifts of (Beth) Jeans (Houghton), (Field) Music, and
Despite all the attractive and talented actors, and some cool editing and music, Haywire is not at all suspenseful and feels slow.
Review by Rebecca Lenzini
See The Grey and prepare yourself to be scared the next time you see a big dog on the street.
Review by Justin Gremillion
